Luis Tristan

Toledo ca ,1585-1624
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  Vorheriger Künstler       Nächster Künstler     

 

Luis Tristan Louis King of France Distributing Alms (mk05) oil painting


Louis King of France Distributing Alms (mk05)
Louis König von Frankreich Verteilend Alms (mk05)
Gemälde ID::  20337
Siehe Galerie in Schweden
Louis King of France Distributing Alms (mk05)
Louis König von Frankreich Verteilend Alms (mk05)
Canvas,96 1/2 x 72''(245 x 183 cm)Given in 1932
Leinwand, 96 1/2 X 72~~ (245 X 183 cm) Gegeben in 1932
Canvas,96_1/2_x_72''(245_x_183_cm)Given_in_1932
   
   
     

Luis Tristan The Vision of St.Francis of Assisi (mk05) oil painting


The Vision of St.Francis of Assisi (mk05)
Die Sicht von St. Francis von Assisi (mk05)
Gemälde ID::  20339
Siehe Galerie in Schweden
The Vision of St.Francis of Assisi (mk05)
Die Sicht von St. Francis von Assisi (mk05)
Canvas,49 1/4 x 41''(125 x 104 cm)Given in 1879
Leinwand, 49 1/4 X 41~~ (125 X 104 cm) Gegeben in 1879
Canvas,49_1/4_x_41''(125_x_104_cm)Given_in_1879
   
   
     

Luis Tristan The Adoration of the Magi oil painting


The Adoration of the Magi
Gemälde ID::  62318
Siehe Galerie in Schweden
The Adoration of the Magi
232 x 115 cm Museum of Fine Arts, Budapest Around 1600 the dominant influence in Toledo was that of El Greco. The link with the master was strongest in the distinguished painter Luis Trist?n, who stressed the Tenebrist aspects of some of El Greco's work. Trist?n's development was interrupted by his premature death, but not before he had completed work of such merit as the altarpiece in Yepes (1616) and that of Santa Clara de Toledo which was finished in 1623. The Adoration of the Magi probably formed part of an altarpiece in the Jeronymite Convent of the Queen in Toledo, together with an Adoration of the Shepherds (now in Cambridge), Pentecost (now in Bucharest) and Resurrection (lost). It has the same composition as the Yepes altarpiece, however, the faces of the figures are different
232_x_115_cm_Museum_of_Fine_Arts,_Budapest_Around_1600_the_dominant_influence_in_Toledo_was_that_of_El_Greco._The_link_with_the_master_was_strongest_in_the_distinguished_painter_Luis_Trist?n,_who_stressed_the_Tenebrist_aspects_of_some_of_El_Greco's_work._Trist?n's_development_was_interrupted_by_his_premature_death,_but_not_before_he_had_completed_work_of_such_merit_as_the_altarpiece_in_Yepes_(1616)_and_that_of_Santa_Clara_de_Toledo_which_was_finished_in_1623._The_Adoration_of_the_Magi_probably_formed_part_of_an_altarpiece_in_the_Jeronymite_Convent_of_the_Queen_in_Toledo,_together_with_an_Adoration_of_the_Shepherds_(now_in_Cambridge),_Pentecost_(now_in_Bucharest)_and_Resurrection_(lost)._It_has_the_same_composition_as_the_Yepes_altarpiece,_however,_the_faces_of_the_figures_are_different
   
   
     

Luis Tristan Adoration of the Magi oil painting


Adoration of the Magi
Gemälde ID::  62319
Siehe Galerie in Schweden
Adoration of the Magi
1620 Oil on canvas Museum of Fine Arts, Budapest It is assumed that the figure at the bottom was painted after a model
1620_Oil_on_canvas_Museum_of_Fine_Arts,_Budapest_It_is_assumed_that_the_figure_at_the_bottom_was_painted_after_a_model
   
   
     

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     Luis Tristan
     Toledo ca ,1585-1624

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